take 11:/VivreSaVie/

Jean-Luc Godard's "Vivre sa vie" (1962) is a landmark film in French New Wave cinema. It tells the story of Nana, a young woman who leaves her husband and child to pursue a career in acting but ends up as a prostitute.

    Godard’s direction in "Vivre sa vie" is innovative and unconventional, showcasing his distinctive New Wave style. Godard breaks away from traditional narrative and visual storytelling techniques, opting instead for a fragmented, episodic structure. The film is divided into 12 tableaux, an experimenting way to  represent a different chapter in Nana’s life. Raoul Coutard’s cinematography is striking, characterised by its use of natural lighting, handheld camera work, and unconventional framing. The black-and-white imagery enhances the film’s realism and starkness, while the use of long takes and close-ups creates an intimate and immersive experience. Godard’s frequent use of direct address and breaking the fourth wall challenges the viewer’s engagement with the narrative, creating a more reflective and self-aware viewing experience.

    The editing in "Vivre sa vie" is both innovative and purposeful. Godard employs jump cuts, abrupt transitions, and disjointed sequences to disrupt the conventional flow of the narrative.The editing style contributes to the film’s experimental and avant-garde feel, setting it apart from mainstream cinema of the time. 

    The screenplay, written by Jean-Luc Godard, is a blend of scripted dialogue and improvisation, capturing the spontaneity and unpredictability of real life. The dialogue is often naturalistic and unpolished, reflecting the everyday speech patterns of the characters. This approach enhances the film’s authenticity and allows for a deeper exploration of the characters’ personalities and emotions. The script delves into existential themes, exploring issues of identity, freedom, and the human condition. Nana’s journey is depicted with a sense of realism and empathy, highlighting her struggles and desires. Godard’s writing is introspective and philosophical, often incorporating literary and cinematic references that add layers of meaning to the narrative. Nana, played by Anna Karina, is a complex and multi-dimensional character. The script carefully traces her evolution from an aspiring actress to a disillusioned prostitute. 

    "Vivre sa vie" explores themes of existentialism, freedom, and the search for identity. Nana’s journey is a quest for self-discovery and autonomy, set against the backdrop of a society that often restricts and exploits women. Godard also addresses the objectification and commodification of women, both in society and within the film industry. Nana’s transformation from a hopeful actress to a commodified body underscores the pervasive influence of patriarchal and capitalist systems. 

    In conclusion, "Vivre sa vie" is a seminal work of the French New Wave, showcasing Jean-Luc Godard’s innovative approach to filmmaking. The story, with its naturalistic dialogue and existential themes, provides a deeply personal and philosophical exploration of the protagonist’s journey.